{"id":1381,"date":"2025-10-15T08:43:03","date_gmt":"2025-10-15T06:43:03","guid":{"rendered":"https:\/\/icar.cnrs.fr\/aaa\/?p=1381"},"modified":"2025-10-15T08:48:21","modified_gmt":"2025-10-15T06:48:21","slug":"colloque-curating-editing-between-museums-and-media-gestures-of-image-knowledge-22-au-24-octobre-luxembourg","status":"publish","type":"post","link":"https:\/\/icar.cnrs.fr\/aaa\/colloque-curating-editing-between-museums-and-media-gestures-of-image-knowledge-22-au-24-octobre-luxembourg\/","title":{"rendered":"Colloque \u00ab\u00a0Curating and Editing Between Museums and Media. Gestures of Image Knowledge\u00a0\u00bb, 22 au 24 octobre, Luxembourg"},"content":{"rendered":"<p>A l&rsquo;occasion du test final du prototype de l&rsquo;application AAA, un <strong>colloque<\/strong> est organis\u00e9 au MNAHA du Luxembourg (Mus\u00e9e partenaire) \u00e0 l&rsquo;initiative de Gian Maria Tore et Roxanne Loos. Ce colloque aura pour th\u00e9matique centrale le <strong>curating<\/strong>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1385\" src=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2025\/10\/article-curating-2.jpg\" alt=\"\" width=\"1431\" height=\"486\" srcset=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2025\/10\/article-curating-2.jpg 1431w, https:\/\/icar.cnrs.fr\/aaa\/files\/2025\/10\/article-curating-2-300x102.jpg 300w, https:\/\/icar.cnrs.fr\/aaa\/files\/2025\/10\/article-curating-2-1024x348.jpg 1024w, https:\/\/icar.cnrs.fr\/aaa\/files\/2025\/10\/article-curating-2-768x261.jpg 768w, https:\/\/icar.cnrs.fr\/aaa\/files\/2025\/10\/article-curating-2-850x289.jpg 850w\" sizes=\"auto, (max-width: 1431px) 100vw, 1431px\" \/>Voici le programme officiel de l&rsquo;\u00e9v\u00e8nement :<\/p>\n<p style=\"text-align: center\"><strong>MERCREDI 22\/10<\/strong><\/p>\n<p>Mus\u00e9e national d\u2019arch\u00e9ologie, d\u2019histoire et d\u2019art \u2013 MNAHA (Luxembourg ville)<\/p>\n<p>13h00 \u00a0 Welcome<\/p>\n<p>13h10\u00a0\u00a0 <strong>Tania Brugoni <\/strong>(MNAHA\u2019s director) &amp; <strong>Gian Maria Tore <\/strong>(Semiotics\/Visual studies, University of Luxembourg) opening<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ralph Dekoninck <\/strong>(Art history, Universit\u00e9 catholique de Louvain) presents:<\/p>\n<p>13h25 \u00a0 <strong>B\u00e9atrice Joyeux-Prunel<\/strong> (Digital humanities\/Art history, Universit\u00e9 de Gen\u00e8ve) <em>Gamified, Globalized, Augmented?\u00a0<\/em><em>On Becoming a Critical Self in Digital Art History<\/em><\/p>\n<p>13h55 \u00a0 discussion<\/p>\n<p>14h15\u00a0\u00a0 <strong>Roxanne Loos &amp; Lisa Paillussi\u00e8re<\/strong> (Art history &amp; Semiotics, Universit\u00e9 catholique de Louvain-Saint-Louis Bruxelles\/Fine Arts Museums of Belgium &amp; Universit\u00e9 Lyon 2) <em>The<\/em> Augmented Artwork Analysis <em>Project: Developing a Digital Application for Image-Based Knowledge<\/em><\/p>\n<p>14h45\u00a0\u00a0 <strong>Ruud Priem<\/strong> (Art history\/dept. head &amp; curator of Fine Arts, MNAHA Luxembourg) presentation of MNAHA<\/p>\n<p>15h00\u00a0\u00a0 Testing the <em>Augmented Artwork Analysis<\/em> application <em>in situ<\/em><\/p>\n<p>16h00 \u00a0 Pause<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sandra Camarda<\/strong> (Public history\/Transmedia storytelling, University of Luxembourg) presents:<\/p>\n<p>16h10 \u00a0 <strong>Peter Gorgels <\/strong>(Manager of digital products of Rijksmuseum Amsterdam) <em>Visual storytelling at the Rijksmuseum<\/em><\/p>\n<p>16h40\u00a0\u00a0 discussion<\/p>\n<p>17h00\u00a0\u00a0 <strong>Ross Parry<\/strong> (Museum technology\/Digital culture, University of Leicester) <em>Purposeful, Adaptable, and Accessible: Welcome to the new museum digital infrastructure<\/em><\/p>\n<p>17h30\u00a0\u00a0 discussion<\/p>\n<p style=\"text-align: center\"><strong>JEUDI 23\/10<\/strong><\/p>\n<p>Centre National de l\u2019Audiovisuel du Luxembourg \u2013 CNA (Dudelange)<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pierluigi Basso Fossali<\/strong> (S\u00e9miotique, Universit\u00e0 di Bologna) pr\u00e9sente\u00a0:<\/p>\n<p>9h00 \u00a0\u00a0\u00a0 <strong>Rossana De Angelis <\/strong>(Sciences du langage\/M\u00e9diations, Universit\u00e9 Paris Est-Cr\u00e9teil) <em>Analysing Discourse in Mediation and Curation<\/em><\/p>\n<p>9h30\u00a0\u00a0\u00a0\u00a0 discussion<\/p>\n<p>9h50\u00a0\u00a0\u00a0\u00a0 <strong>Nicolas Navarro &amp; Lise Renaud<\/strong> (Mus\u00e9ologie &amp; Communication, Universit\u00e9 de Li\u00e8ge &amp; Sciences de l\u2019information et de la communication, Universit\u00e9 d\u2019Avignon) <em>L\u2019\u00e9criture num\u00e9rique des objets d\u2019exposition<\/em><\/p>\n<p>10h20\u00a0\u00a0 discussion<\/p>\n<p>10h40\u00a0\u00a0 Pause<\/p>\n<p><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Mathias Blanc<\/strong> (Sociologie\/Art, Universit\u00e9 du Luxembourg &amp; \u00c9cole du Louvre) pr\u00e9sente\u00a0:<\/p>\n<p>10h50\u00a0\u00a0 <strong>Julien Thiburce, Sofiane Doulfaquar &amp; Sophie Doublet<\/strong> (Sciences du langage &amp; UX &#8211; User experience, Universit\u00e9 Lyon 2 &amp; Universit\u00e9 du Luxembourg) <em>\u00c9tudier le r\u00f4le des dispositifs num\u00e9riques dans les interactions au mus\u00e9e\u00a0: enjeux linguistiques, sociaux et professionnels<\/em><\/p>\n<p>11h20\u00a0\u00a0 <strong>Amandine Jeanson &amp; Marie Vidal de la Blache <\/strong>(charg\u00e9e de projets num\u00e9riques &amp; du d\u00e9veloppement des publics du Palais des Beaux-Arts de Lille) <em>Les d\u00e9fis du mus\u00e9e<\/em><\/p>\n<p>11h40\u00a0\u00a0 discussion<\/p>\n<p>12h10\u00a0\u00a0 Lunch and tour of the Waassertuerm + Pomhouse<\/p>\n<p><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Marion Colas-Blaise<\/strong> (Semiotics, University of Luxembourg), presents:<\/p>\n<p>14h00\u00a0\u00a0 <strong>Patricia Ribault <\/strong>(Digital design, Universit\u00e9 Paris 8 Vincennes-Saint Denis &amp; Humboldt Universit\u00e4t Berlin) <em>Gestes de faire et gestes de voir, ou comment toucher sans y toucher<\/em><\/p>\n<p>14h30\u00a0\u00a0 discussion<\/p>\n<p>14h50\u00a0\u00a0 <strong>Samuel Bianchini<\/strong> (Arts\/Num\u00e9rique, \u00c9cole Nationale Sup\u00e9rieure d\u2019Arts D\u00e9coratifs, Paris) <em>Public, Publication, Publicization. <\/em><em>Rethinking the Way to Make Things Public Through Art and Design Research: the Case of <\/em>.able<em> Journal<\/em><\/p>\n<p>15h20\u00a0\u00a0 discussion<\/p>\n<p>15h40\u00a0\u00a0 Pause<\/p>\n<p>15h50\u00a0\u00a0 <strong>Antonio Somaini <\/strong>(Media\/Visual studies, Universit\u00e9 Sorbonne Nouvelle Paris 3) <em>Latent Spaces as Meta-Archives: Generative AI, Visual Culture, and the Mediation of the Past<\/em><\/p>\n<p>16h20\u00a0\u00a0 discussion<\/p>\n<p>16h50\u00a0\u00a0 <strong>Gilles Zeimet<\/strong> (Art History\/director of CNA) Presentation and tour of the CNA<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center\"><strong>VENDREDI 24\/10<\/strong><\/p>\n<p>Luxembourg Learning Center &#8211; University Library (Belval)<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><strong>Val\u00e9rie Schafer <\/strong>(Histoire\/M\u00e9dias, Universit\u00e9 du Luxembourg) presents\u00a0:<\/p>\n<p>9h00\u00a0\u00a0\u00a0\u00a0 <strong>Erkki Huhtamo<\/strong> (Media history\/Visual studies, University of California, Los Angeles) <em>Media Archaeology as Topos Study, or Topos Archaeology: An Approach to Exploring Media Cultural Heritage<\/em> <em>\u00a0<\/em><\/p>\n<p>9h30\u00a0\u00a0\u00a0\u00a0 discussion<\/p>\n<p>9h50\u00a0\u00a0\u00a0\u00a0 <strong>Ruggero Eugeni &amp; Elisabetta Modena<\/strong> (Visual Studies &amp; Art History, Universit\u00e0 Cattolica &amp; IULM Milano) <em>Filterarts. <\/em><em>Notes on Exhibition Displays and Filtering Theory<\/em><\/p>\n<p>10h20\u00a0\u00a0 discussion<\/p>\n<p>10h40\u00a0\u00a0 Pause<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><strong>Jean Lass\u00e8gue <\/strong>(Philosophy\/AI, EHESS Paris) presents:<\/p>\n<p>10h50\u00a0\u00a0 <strong>Enzo d\u2019Armenio<\/strong> (S\u00e9miotique\/M\u00e9dias, Universit\u00e9 de Lorraine) <em>Commissariat et montage d\u2019archives personnelles : l\u2019IA comme outil de figuration de l\u2019imagination de soi<\/em><\/p>\n<p>11h20\u00a0\u00a0 discussion<\/p>\n<p>11h40\u00a0\u00a0 <strong>Aldo Gangemi <\/strong>(Cognitive Science\/Informatics\/Cultural Heritage, Universit\u00e0 di Bologna) <em>Neurosymbolic Tacit Knowledge Extraction: Human-centered Simulations<\/em><\/p>\n<p>12h10\u00a0\u00a0 discussion<\/p>\n<p>12h30\u00a0\u00a0 <strong>Ralph Dekoninck <\/strong>&amp; <strong>Gian Maria Tore<\/strong>\u00a0(Histoire de l\u2019art &amp; S\u00e9miotique, Universit\u00e9 catholique de Louvain &amp; Universit\u00e9 du Luxembourg)\u00a0: mot de conclusion<\/p>\n<p>Buffet<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A l&rsquo;occasion du test final du prototype de l&rsquo;application AAA, un colloque est organis\u00e9 au MNAHA du Luxembourg (Mus\u00e9e partenaire) \u00e0 l&rsquo;initiative de Gian Maria Tore et Roxanne Loos. Ce&#8230;<\/p>\n","protected":false},"author":52,"featured_media":1388,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4,7],"tags":[],"class_list":["post-1381","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-evenements"],"_links":{"self":[{"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/posts\/1381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/users\/52"}],"replies":[{"embeddable":true,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/comments?post=1381"}],"version-history":[{"count":5,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/posts\/1381\/revisions"}],"predecessor-version":[{"id":1389,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/posts\/1381\/revisions\/1389"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/media\/1388"}],"wp:attachment":[{"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/media?parent=1381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/categories?post=1381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/tags?post=1381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}