{"id":668,"date":"2023-08-30T11:37:10","date_gmt":"2023-08-30T09:37:10","guid":{"rendered":"http:\/\/icar.cnrs.fr\/aaa\/?p=668"},"modified":"2023-08-31T13:49:22","modified_gmt":"2023-08-31T11:49:22","slug":"etude-devant-les-oeuvres-palais-des-beaux-arts-de-lille-17-juin-2022","status":"publish","type":"post","link":"https:\/\/icar.cnrs.fr\/aaa\/etude-devant-les-oeuvres-palais-des-beaux-arts-de-lille-17-juin-2022\/","title":{"rendered":"\u00c9tude devant les \u0153uvres (Palais des Beaux-arts de Lille, 17 juin 2022)"},"content":{"rendered":"<p>Cette s\u00e9ance de travail s\u2019est d\u00e9roul\u00e9 au Palais des Beaux-arts de Lille, le 17 juin 2022 dernier. Celle-ci avait pour but de produire des mod\u00e8les d\u2019analyses augment\u00e9es des \u0153uvres d\u2019art dans un cadre de confrontation directe avec leur exp\u00e9rience in vivo.<\/p>\n<p>Au cours de cette s\u00e9ance, Ralph Dekoninck (Universit\u00e9 Catholique de Louvain) a choisi de travailler sur un corpus de martyres de la p\u00e9riode XVI\u00e8me \u2013 XVII\u00e8me si\u00e8cle (\u00ab Le martyre des \u00ab\u00a0quatre\u00a0\u00bb couronn\u00e9s \u00bb, Claudius, Nicolastratus, Symphorianus, Castor et Simplicius, 1642 ; \u00ab Le martyre de Saint Maurice et de ses compagnons \u00bb, Jan Boeckhorst,1661 ; \u00ab Le martyre de Sainte Catherine \u00bb, Pierre Paul Rubens vers 1615 ; \u00ab Le martyre de Saint Georges \u00bb, V\u00e9ron\u00e8se vers 1575) dans la perspective d\u2019une augmentation faisant toujours dialoguer un ancrage historique avec un faisceau d\u2019indices iconographiques ou iconologiques et des effets esth\u00e9tiques associ\u00e9s ;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-669\" src=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/08\/corpusmartyre-ralph.png\" alt=\"\" width=\"624\" height=\"215\" srcset=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/08\/corpusmartyre-ralph.png 624w, https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/08\/corpusmartyre-ralph-300x103.png 300w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/p>\n<p>Sophie Raux a choisi d\u2019\u00e9tudier le tableau \u00ab Jeune fumeur de pipe d\u00e9laissant l\u2019\u00e9tude \u00bb (1653) \u00e0 l\u2019attribution incertaine, explorant la voie d\u2019une augmentation port\u00e9e sur l\u2019attention \u00e0 certains d\u00e9tails (repeints du mur, posture du personnage, attribut de la pipe, g\u00e9n\u00e9alogie des gestes de la m\u00e9lancolie, perspective atmosph\u00e9rique);<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-672\" src=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/08\/tableau-2-sophie-Jeune-fumeur-de-pipe-delaissant-l-etude-ou-La-Melancolie.jpg\" alt=\"\" width=\"416\" height=\"575\" srcset=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/08\/tableau-2-sophie-Jeune-fumeur-de-pipe-delaissant-l-etude-ou-La-Melancolie.jpg 416w, https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/08\/tableau-2-sophie-Jeune-fumeur-de-pipe-delaissant-l-etude-ou-La-Melancolie-217x300.jpg 217w, https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/08\/tableau-2-sophie-Jeune-fumeur-de-pipe-delaissant-l-etude-ou-La-Melancolie-300x415.jpg 300w\" sizes=\"auto, (max-width: 416px) 100vw, 416px\" \/><\/p>\n<p>Gian Maria Tore, quant \u00e0 lui, a choisi de comparer deux tableaux de Gustave Courbet (un portrait et un paysage) : \u00ab L&rsquo;Apr\u00e8s-D\u00een\u00e9e \u00e0 Ornans \u00bb de 1849, et \u00ab La Meuse \u00e0 Freyr \u00bb vers 1856. Celui-ci a ainsi propos\u00e9 une recontextualisation historique de l\u2019image partant de l\u2019image;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-673\" src=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/08\/corpus-courbet-3-gianmaria.png\" alt=\"\" width=\"620\" height=\"226\" srcset=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/08\/corpus-courbet-3-gianmaria.png 620w, https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/08\/corpus-courbet-3-gianmaria-300x109.png 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p>Enfin Pierluigi Basso a choisi de travailler sur \u00ab La D\u00e9ploration du Christ \u00bb de Luca Penni, vers 1530-1550, explorant la perspective d\u2019une augmentation des \u0153uvres d\u2019art par la mise en dialogue des propri\u00e9t\u00e9s plastiques du tableau avec une histoire des formes.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-674\" src=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/08\/tableau-4-basso.png\" alt=\"\" width=\"568\" height=\"259\" srcset=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/08\/tableau-4-basso.png 568w, https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/08\/tableau-4-basso-300x137.png 300w\" sizes=\"auto, (max-width: 568px) 100vw, 568px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cette s\u00e9ance de travail s\u2019est d\u00e9roul\u00e9 au Palais des Beaux-arts de Lille, le 17 juin 2022 dernier. Celle-ci avait pour but de produire des mod\u00e8les d\u2019analyses augment\u00e9es des \u0153uvres d\u2019art&#8230;<\/p>\n","protected":false},"author":52,"featured_media":671,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites"],"_links":{"self":[{"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/posts\/668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/users\/52"}],"replies":[{"embeddable":true,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/comments?post=668"}],"version-history":[{"count":3,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/posts\/668\/revisions"}],"predecessor-version":[{"id":677,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/posts\/668\/revisions\/677"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/media\/671"}],"wp:attachment":[{"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/media?parent=668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/categories?post=668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/tags?post=668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}