{"id":899,"date":"2023-11-09T12:17:26","date_gmt":"2023-11-09T11:17:26","guid":{"rendered":"http:\/\/icar.cnrs.fr\/aaa\/?p=899"},"modified":"2023-11-22T15:01:16","modified_gmt":"2023-11-22T14:01:16","slug":"signata","status":"publish","type":"post","link":"https:\/\/icar.cnrs.fr\/aaa\/en\/signata\/","title":{"rendered":"Latest issue of Signata available online"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-719\" src=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/signata14.png\" alt=\"\" width=\"900\" height=\"137\" srcset=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/signata14.png 900w, https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/signata14-300x46.png 300w, https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/signata14-768x117.png 768w, https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/signata14-850x129.png 850w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/p>\n<p>The most recent issue of Signata magazine, entitled \u00ab\u00a0<strong><span class=\"text\"><span lang=\"en\" xml:lang=\"en\">For a New Hermeneutics of Symbolic Forms: Semiotics, Art History and Digital Humanities,<\/span><\/span><\/strong>\u00a0\u00bb highlights several works by the members of the AAA project, directly linked to the exploratory idea a renewed history of forms and an enhanced analysis of works of art. This issue was lead be led by four AAA members: Pierluigi Basso Fossali, Ralph Dekoninck, Maria Giulia Dondero and Sophie Raux.<\/p>\n<p>The <a href=\"https:\/\/journals.openedition.org\/signata\/4305\">the full text of the entire issue<\/a> is available at the OpenEdition.org website of <a href=\"https:\/\/journals.openedition.org\/signata\/\">Signata<\/a><\/p>\n<ul class=\"summary\">\n<li class=\"textes even\">\n<div class=\"author\"><strong>Pierluigi <span class=\"familyName\">Basso\u00a0Fossali<\/span><\/strong><\/div>\n<\/li>\n<\/ul>\n<div class=\"title\" style=\"padding-left: 40px\"><a dir=\"ltr\" lang=\"fr\" xml:lang=\"fr\" href=\"https:\/\/journals.openedition.org\/signata\/4964\">Les images entre formes symboliques et humanit\u00e9s num\u00e9riques\u00a0: une introduction<\/a><span class=\"fullText\">[Texte int\u00e9gral] <\/span><\/div>\n<div class=\"title traduction\" style=\"padding-left: 40px\"><a dir=\"ltr\" lang=\"en\" xml:lang=\"en\" href=\"https:\/\/journals.openedition.org\/signata\/4965\"><span lang=\"en\" xml:lang=\"en\">Images between Symbolic Forms and Digital Humanities: An Introduction<\/span><\/a> <span class=\"fullText\">[Texte int\u00e9gral | traduction | en]<\/span><\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-711\" src=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/Ornement-1-300x45.png\" alt=\"\" width=\"300\" height=\"45\" srcset=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/Ornement-1-300x45.png 300w, https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/Ornement-1.png 487w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<h2 style=\"text-align: center\">Augmentation et critique de la raison num\u00e9rique<\/h2>\n<ul class=\"summary\">\n<li class=\"textes even\">\n<div class=\"author\"><strong>Marion <span class=\"familyName\">Colas-Blaise<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"fr\" xml:lang=\"fr\" href=\"https:\/\/journals.openedition.org\/signata\/4711\">L\u2019\u0153uvre d\u2019art \u00ab\u00a0augment\u00e9e\u00a0\u00bb et ses formes de vie<\/a> <span class=\"fullText\">[Texte int\u00e9gral] <\/span><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Pierluigi <span class=\"familyName\">Basso\u00a0Fossali<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"fr\" xml:lang=\"fr\" href=\"https:\/\/journals.openedition.org\/signata\/4698\">Symbolisation et augmentation\u00a0: la forme symbolique \u00e0 l\u2019\u00e8re du num\u00e9rique<\/a> <span class=\"fullText\">[Texte int\u00e9gral] <\/span><\/div>\n<div class=\"altertitle\" lang=\"en\" xml:lang=\"en\"><span lang=\"en\" xml:lang=\"en\">Symbolization and augmented reality: symbolic form in the digital age<\/span><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\"><strong>Gian Maria <span class=\"familyName\">Tore<\/span> et Yves-Marie <span class=\"familyName\">Visetti<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"fr\" xml:lang=\"fr\" href=\"https:\/\/journals.openedition.org\/signata\/4703\">Exp\u00e9rience et explication de l\u2019image \u00e0 l\u2019\u00e8re digitale<\/a> <span class=\"fullText\">[Texte int\u00e9gral] <\/span><\/div>\n<div class=\"subtitle\">Une approche critique et utopique des tableaux<\/div>\n<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-711\" src=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/Ornement-1-300x45.png\" alt=\"\" width=\"300\" height=\"45\" srcset=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/Ornement-1-300x45.png 300w, https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/Ornement-1.png 487w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<h2 style=\"text-align: center\"><span class=\"text\">Arch\u00e9ologie et reprise des pratiques d\u2019augmentation<\/span><\/h2>\n<ul class=\"summary\">\n<li class=\"textes even\">\n<div class=\"author\"><strong>Ralph <span class=\"familyName\">Dekoninck<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"fr\" xml:lang=\"fr\" href=\"https:\/\/journals.openedition.org\/signata\/4920\">Une augmentation consubstantielle \u00e0 l\u2019\u0153uvre<\/a><\/div>\n<div class=\"subtitle\">L\u2019interpr\u00e9tation mod\u00e9lisante de la <em>Madone des P\u00e8lerins <\/em>du Caravage<\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Lisa <span class=\"familyName\">Paillussi\u00e8re<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"fr\" xml:lang=\"fr\" href=\"https:\/\/journals.openedition.org\/signata\/4824\">La spiritualit\u00e9 comme motif de complexification identitaire<\/a><\/div>\n<div class=\"subtitle\">L\u2019iconographie de Marie-Madeleine p\u00e9nitente dans la peinture baroque flamande et italienne du xvii<sup>e<\/sup> si\u00e8cle<\/div>\n<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-711\" src=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/Ornement-1-300x45.png\" alt=\"\" width=\"300\" height=\"45\" srcset=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/Ornement-1-300x45.png 300w, https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/Ornement-1.png 487w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<h2 class=\"section\" style=\"text-align: center\"><span class=\"text\">Nouvelles technologies et formes symboliques comme cl\u00e9s po\u00ef\u00e9tiques et herm\u00e9neutiques<\/span><\/h2>\n<ul class=\"summary\">\n<li class=\"textes even\">\n<div class=\"author\"><strong>Camilla <span class=\"familyName\">Balbi<\/span> et Anna <span class=\"familyName\">Calise<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"en\" xml:lang=\"en\" href=\"https:\/\/journals.openedition.org\/signata\/4757\"><span lang=\"en\" xml:lang=\"en\">The (theoretical) elephant in the room<\/span><\/a><\/div>\n<div class=\"subtitle\"><span lang=\"en\" xml:lang=\"en\">Overlooked assumptions in computer vision analysis of art images<\/span><\/div>\n<div class=\"altertitle\" lang=\"fr\" xml:lang=\"fr\"><span lang=\"fr\" xml:lang=\"fr\">Pr\u00e9suppositions n\u00e9glig\u00e9es dans l\u2019analyse des images d\u2019art par la vision par ordinateur<\/span><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Lynn <span class=\"familyName\">Bannon<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"fr\" xml:lang=\"fr\" href=\"https:\/\/journals.openedition.org\/signata\/4776\">Les formes symboliques de la science\u00a0: le cas des photographies num\u00e9riques de Laurent Lamarche<\/a><\/div>\n<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-711\" src=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/Ornement-1-300x45.png\" alt=\"\" width=\"300\" height=\"45\" srcset=\"https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/Ornement-1-300x45.png 300w, https:\/\/icar.cnrs.fr\/aaa\/files\/2023\/09\/Ornement-1.png 487w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<h2 class=\"section\" style=\"text-align: center\"><span class=\"text\">Varia<\/span><\/h2>\n<ul class=\"summary\">\n<li class=\"textes even\">\n<div class=\"author\"><strong>Massimo <span class=\"familyName\">Leone<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"fr\" xml:lang=\"fr\" href=\"https:\/\/journals.openedition.org\/signata\/4324\">Plaidoyer pour un Prosopoc\u00e8ne\u00a0: s\u00e9mio-\u00e9thique du visage<\/a><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Jenny <span class=\"familyName\">Ponzo<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"en\" xml:lang=\"en\" href=\"https:\/\/journals.openedition.org\/signata\/4380\"><span lang=\"en\" xml:lang=\"en\">Obliteration, Ostension, Ostentation: The Visibility of the Sacred Body in Catholic Culture<\/span><\/a><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\"><strong>Anne <span class=\"familyName\">Beyaert-Geslin<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"fr\" xml:lang=\"fr\" href=\"https:\/\/journals.openedition.org\/signata\/4386\">De l\u2019urbanit\u00e9 \u00e0 l\u2019ajustement<\/a><\/div>\n<div class=\"subtitle\">L\u2019aventure de l\u2019espace public<\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Pascale <span class=\"familyName\">Delormas<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"fr\" xml:lang=\"fr\" href=\"https:\/\/journals.openedition.org\/signata\/4410\">Quelques \u00e9l\u00e9ments pour une approche discursive de la pens\u00e9e effondriste en France<\/a><\/div>\n<div class=\"subtitle\">\u00ab\u00a0Faire peur\u00a0\u00bb, un acte de langage salvateur\u00a0?<\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\"><strong>Le <span class=\"familyName\">Groupe\u00a0\u00b5<\/span>, Francis <span class=\"familyName\">\u00c9deline<\/span> et Jean-Marie <span class=\"familyName\">Klinkenberg<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"fr\" xml:lang=\"fr\" href=\"https:\/\/journals.openedition.org\/signata\/4474\">Un param\u00e8tre ignor\u00e9 des \u00e9nonc\u00e9s plastiques<span lang=\"fr\" xml:lang=\"fr\">\u00a0: la c\u00e9sie<\/span><\/a><\/div>\n<div class=\"subtitle\">Syst\u00e9matique et rh\u00e9torique de la c\u00e9sie<\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Sergio <span class=\"familyName\">Torres-Mart\u00ednez<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"fr\" xml:lang=\"fr\" href=\"https:\/\/journals.openedition.org\/signata\/4551\">Grammaire agentielle cognitive de constructions<\/a><\/div>\n<div class=\"subtitle\">Explorations s\u00e9miotico-linguistiques des origines de la repr\u00e9sentation incarn\u00e9e<\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\"><strong>Alain <span class=\"familyName\">Perusset<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"en\" xml:lang=\"en\" href=\"https:\/\/journals.openedition.org\/signata\/4556\"><span lang=\"en\" xml:lang=\"en\">How Post-structural Semiotics Models Categories<\/span><\/a><\/div>\n<div class=\"subtitle\"><span lang=\"en\" xml:lang=\"en\">From Greimasian Semantics to Categorial Semiotics<\/span><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Pierre-Antoine <span class=\"familyName\">Navarette<\/span><\/strong><\/div>\n<div class=\"title\"><a dir=\"ltr\" lang=\"fr\" xml:lang=\"fr\" href=\"https:\/\/journals.openedition.org\/signata\/4590\">La structure s\u00e9miotique du sujet en litt\u00e9rature<\/a><\/div>\n<div class=\"subtitle\">Cod\u00e9termination des valeurs esth\u00e9tiques et \u00e9thiques<\/div>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The most recent issue of Signata magazine, entitled \u00ab\u00a0For a New Hermeneutics of Symbolic Forms: Semiotics, Art History and Digital Humanities,\u00a0\u00bb highlights several works by the members of the AAA&#8230;<\/p>\n","protected":false},"author":44,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-899","post","type-post","status-publish","format-standard","hentry","category-unclassified"],"_links":{"self":[{"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/posts\/899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/comments?post=899"}],"version-history":[{"count":7,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/posts\/899\/revisions"}],"predecessor-version":[{"id":959,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/posts\/899\/revisions\/959"}],"wp:attachment":[{"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/media?parent=899"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/categories?post=899"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icar.cnrs.fr\/aaa\/wp-json\/wp\/v2\/tags?post=899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}