{"id":8,"date":"2016-11-02T17:38:51","date_gmt":"2016-11-02T16:38:51","guid":{"rendered":"https:\/\/icar.cnrs.fr\/membre\/mgroccia\/?page_id=8"},"modified":"2023-01-25T12:05:55","modified_gmt":"2023-01-25T11:05:55","slug":"publications","status":"publish","type":"page","link":"https:\/\/icar.cnrs.fr\/membre\/mgroccia\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<p><span style=\"color: #114b5a; font-weight: bold; letter-spacing: 0.1em;\">Liste des publications sur HAL<\/span><\/p>\n<p>\n\n\n<!-- Piwik -->\n<script type=\"text\/javascript\">\n  var _paq = _paq || [];\n  _paq.push(['trackPageView']);\n  _paq.push(['enableLinkTracking']);\n  (function() {\n    var u=\"\/\/piwik.inria.fr\/\";\n    _paq.push(['setTrackerUrl', u+'piwik.php']);\n    _paq.push(['setSiteId', 26]);\n    var d=document, g=d.createElement('script'), s=d.getElementsByTagName('script')[0];\n    g.type='text\/javascript'; g.async=true; g.defer=true; g.src=u+'piwik.js'; s.parentNode.insertBefore(g,s);\n  })();\n<\/script>\n<noscript><p><img decoding=\"async\" src=\"\/\/piwik.inria.fr\/piwik.php?idsite=26\" style=\"border:0;\" alt=\"\" \/><\/p><\/noscript>\n<!-- End Piwik Code -->\n\n<div id=\"res_script\">\n<p class='Rubrique'>2023<\/p>\n<p class='SousRubrique'>Chapitre d'ouvrage<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. Lo\u00efc Lantoine, chanteur pas engag\u00e9. C. Pr\u00e9vost-Thomas; J-M. Jacono; S. Hirshi. <i>Chanson pour\u2026 chanson contre : 3e Biennale des Ondes du monde<\/i>, PUP, 2023, Collection \u00ab Chants Sons \u00bb. <a target=\"_blank\" href=\"https:\/\/hal.science\/hal-03955541v1\">&#x27E8;hal-03955541&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/hal.science\/hal-03955541v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<p class='Rubrique'>2021<\/p>\n<p class='SousRubrique'>Chapitre d'ouvrage<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. Charlotte Gainsbourg chanteuse ? Rest, l\u2019album de l\u2019ethos n\u00e9goci\u00e9. J. July; C. Chabot-Canet. <i>Du malentendu dans la chanson : 2e Biennale des Ondes du monde<\/i>, PUP, pp.451-467, 2021, Collection \u00ab Chants Sons \u00bb. <a target=\"_blank\" href=\"https:\/\/hal.science\/hal-03955544v1\">&#x27E8;hal-03955544&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/hal.science\/hal-03955544v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<p class='Rubrique'>2019<\/p>\n<p class='SousRubrique'>Communication dans un congr\u00e8s<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. L\u2019atonalisme, et\u00a0apr\u00e8s ?\u2019. Analyse d\u2019une pol\u00e9mique. <i>Congr\u00e8s international de l\u2019Association Fran\u00e7aise de S\u00e9miotique 2019, \u00ab (D\u00e9s)accords : \u00e0 la recherche de la\u00a0diff\u00e9rence propice \u00bb<\/i>, Jun 2019, Lyon, France. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-03955572v1\">&#x27E8;halshs-03955572&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-03955572v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. Charlotte Gainsbourg chanteuse ? Rest : l\u2019album de l\u2019ethos n\u00e9goci\u00e9. <i>Du malentendu dans la chanson<\/i>, Apr 2019, Aix-Marseille et Lyon, France. pp.451-467. <a target=\"_blank\" href=\"https:\/\/hal.science\/hal-03955559v1\">&#x27E8;hal-03955559&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/hal.science\/hal-03955559v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<p class='Rubrique'>2018<\/p>\n<p class='SousRubrique'>Chapitre d'ouvrage<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. S\u00e9miotique et musicologie. Editions Kim\u00e9. <i>La s\u00e9miotique en interface, dir. Amir Biglari<\/i>, <a target=\"_blank\" href=\"https:\/\/www.editionskime.fr\"><\/a>, 2018, 978-2-84174-809-9. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-01818310v1\">&#x27E8;halshs-01818310&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-01818310v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. Regards crois\u00e9s. Les apports de l\u2019analyse musicologique \u00e0 l\u2019\u00e9laboration d\u2019une s\u00e9miotique des sons. dir. M. Colas-Blaise et V. Estay Stange. <i>Synesth\u00e9sies sonores. Du son au(x) sens<\/i>, <a target=\"_blank\" href=\"https:\/\/classiques-garnier.com\/synesthesies-sonores-du-son-au-x-sens-regards-croises.html\">\u00c9ditions Classiques Garnier<\/a>, pp.137-151, 2018, 978-2-406-07328-4. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-01884079v1\">&#x27E8;halshs-01884079&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-01884079v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<p class='Rubrique'>2017<\/p>\n<p class='SousRubrique'>Communication dans un congr\u00e8s<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. Bien \u00e9couter la musique classique. Analyse des discours d'aide \u00e0 l'\u00e9coute. <i>Journ\u00e9es d'\u00e9tude internationales Les discours programmateurs<\/i>, ICAR UMR5191 et USIAS, Oct 2017, Lyon, \u00c9cole Normale Sup\u00e9rieure, France. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-01758520v1\">&#x27E8;halshs-01758520&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-01758520v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<p class='Rubrique'>2016<\/p>\n<p class='SousRubrique'>Chapitre d'ouvrage<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. L\u2019intime comme effet de la praxis \u00e9nonciative. <i>Chanson : du collectif \u00e0 l\u2019intime<\/i>, Presses Universitaires de Provence, 2016, 9791032000717. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-01433009v1\">&#x27E8;halshs-01433009&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-01433009v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<p class='Rubrique'>2015<\/p>\n<p class='SousRubrique'>Chapitre d'ouvrage<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. La chanson - Essai de s\u00e9miotique th\u00e9orique appliqu\u00e9e. <i>S\u00e9miotique de la musique: Music and meaning<\/i>, Presses Universitaires de Li\u00e8ge, 2015. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-01351711v1\">&#x27E8;halshs-01351711&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-01351711v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<p class='Rubrique'>2014<\/p>\n<p class='SousRubrique'>Article dans une revue<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. Le son des chansons, essai de s\u00e9miotisation du sonore. <i>Estudos Semi\u00f3ticos<\/i>, 2014. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-01351718v1\">&#x27E8;halshs-01351718&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-01351718v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<p class='SousRubrique'>Communication dans un congr\u00e8s<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. Regards crois\u00e9s : les apports de l\u2019analyse musicologique \u00e0 l\u2019\u00e9laboration d\u2019une s\u00e9miotique des sons. <i>Colloque Synesth\u00e9sies sonores<\/i>, Oct 2014, Luxembourg, Luxembourg. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-01351777v1\">&#x27E8;halshs-01351777&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-01351777v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. L\u2019intime comme effet de la praxis \u00e9nonciative. <i>Colloque L\u2019intime et le collectif dans la chanson des XXe et XXIe si\u00e8cles<\/i>, May 2014, Marseille, France. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-01351765v1\">&#x27E8;halshs-01351765&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-01351765v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<p class='SousRubrique'>Chapitre d'ouvrage<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">L. Dema, C. Uwe, Martine Groccia. Louis Panier (1945-2012), semiotista y te\u00f3logo. <i>La immanencia en cuesti\u00f3n, Topicos del Seminario n\u00b032<\/i>, Benem\u00e9rita Universidad Aut\u00f3noma de Puebla, 2014. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-01351714v1\">&#x27E8;halshs-01351714&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-01351714v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<p class='Rubrique'>2010<\/p>\n<p class='SousRubrique'>Communication dans un congr\u00e8s<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. Camille, \u201cThe Monk\u201d : l\u2019\u00e9nonciation fragment\u00e9e ou la voix comme lieu d\u2019expression du Moi et de son humanit\u00e9. <i>Congr\u00e8s de l\u2019Association Fran\u00e7aise de S\u00e9miotique (AFS, SEMIO2010) : \"Des \u00e9critures fragmentaires : questions d\u2019\u00e9nonciation\"<\/i>, AFS, Dec 2010, Lyon, France. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-01351723v1\">&#x27E8;halshs-01351723&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-01351723v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<p class='Rubrique'>2008<\/p>\n<p class='SousRubrique'>Communication dans un congr\u00e8s<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. La chanson, une approche s\u00e9miotique d\u2019un objet sonore et musical. <i>10 th International Congress on Musical Signification, \u00ab Before and after music \u00bb<\/i>, ACTA SEMIOTICA FENNICA XXXVII, Oct 2008, Vilnius, Lituanie. pp.349-359. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-01351745v1\">&#x27E8;halshs-01351745&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-01351745v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<p class='Rubrique'>2006<\/p>\n<p class='SousRubrique'>Communication dans un congr\u00e8s<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. La confrontation des syst\u00e8mes s\u00e9mio-linguistique et musical en chanson : l'autre voie du sens. <i>Colloque 13\u00e8me journ\u00e9es de Rochebrune, Rencontres interdisciplinaires sur les syst\u00e8mes complexes naturels et artificiels, \u00ab Traces, \u00e9nigmes, Probl\u00e8mes : \u00c9mergence et construction du sens \u00bb<\/i>, Jan 2006, Rochebrune, Meg\u00e8ve, France. pp.279-288. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-00382656v1\">&#x27E8;halshs-00382656&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-00382656v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<p class='Rubrique'>2005<\/p>\n<p class='SousRubrique'>Communication dans un congr\u00e8s<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. La chanson : quel objet s\u00e9miotique ? pour quelle utilisation en classe de Fran\u00e7ais Langue \u00c9trang\u00e8re ?. <i>Colloque \u00ab S\u00e9miotique, Didactique et Communication \u00bb, Centre Universitaire Dr. Yahia Far\u00e8s<\/i>, May 2005, M\u00e9d\u00e9a, Alg\u00e9rie. pp.251-269. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-00380999v1\">&#x27E8;halshs-00380999&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-00380999v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<p class='Rubrique'>2004<\/p>\n<p class='SousRubrique'>Communication dans un congr\u00e8s<\/p>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. La chanson : une mise en discours sp\u00e9cifique de \u2018d\u00e9voilement de soi' ?. <i>Colloque IADA (International Association for Dialogue Analysis) \"Confidence \/ d\u00e9voilement de soi dans l'interaction\"<\/i>, Sep 2004, Lyon, France. pp.221-236. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-00382652v1\">&#x27E8;halshs-00382652&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-00382652v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<dl class='NoticeRes'>\n<dt class=\"ChampRes\">ref_biblio<\/dt><dd class=\"ValeurRes ref_biblio\">Martine Groccia. La chanson et son industrie : une relation complexe pour l\u2019objet s\u00e9miotique. <i>8 \u00e8me Congr\u00e8s de l\u2019Association Internationale de S\u00e9miotique (AIS\/IASS) \u00ab Les signes du monde : interculturalit\u00e9 et globalisation \u00bb<\/i>, Jul 2004, Lyon, France. <a target=\"_blank\" href=\"https:\/\/shs.hal.science\/halshs-01351757v1\">&#x27E8;halshs-01351757&#x27E9;<\/a><\/dd>\n<dt class=\"ChampRes\">Acc\u00e8s au bibtex<\/dt>\n<dd class=\"ValeurRes LienBibtex\">\n<a href=\"https:\/\/shs.hal.science\/halshs-01351757v1\/bibtex\" target=\"_self\">\n<img decoding=\"async\" alt=\"BibTex\" src=\"https:\/\/haltools.archives-ouvertes.fr\/images\/Haltools_bibtex3.png\" border=\"0\"  title=\"BibTex\" \/><\/a>\n<\/dd>\n<\/dl>\n<\/div>\n\r\n\r\n<!--\r\n        $url = \"http:\/\/halshs.archives-ouvertes.fr\/Public\/afficheRequetePubli.php?\".\r\n     $url = \"https:\/\/haltools.archives-ouvertes.fr\/Public\/afficheRequetePubli.php?\".\r\n\t\t\t\"auteur_exp=\".$_parameters[\"idHAL\"].\r\nannee_publideb=1900&amp;\r\nannee_publifin=2100&amp;\r\nauteur_exp=nathalie,blanc&amp;\r\nCB_ref_biblio=oui&amp;\r\nlabos_exp=icar&amp;\r\nlangue=Francais&amp;\r\ntri_exp=annee_publi&amp;\r\ntri_exp2=typdoc&amp;\r\ntri_exp3=date_publi&amp;\r\nordre_aff=AT&amp;\r\nFen=Aff\r\n-->\r\n<br \/>\n&lt;!&#8211;<\/p>\n<p>&#8211;&gt;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Liste des publications sur HAL &lt;!&#8211; &#8211;&gt;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/icar.cnrs.fr\/membre\/mgroccia\/wp-json\/wp\/v2\/pages\/8","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icar.cnrs.fr\/membre\/mgroccia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/icar.cnrs.fr\/membre\/mgroccia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/icar.cnrs.fr\/membre\/mgroccia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/icar.cnrs.fr\/membre\/mgroccia\/wp-json\/wp\/v2\/comments?post=8"}],"version-history":[{"count":35,"href":"https:\/\/icar.cnrs.fr\/membre\/mgroccia\/wp-json\/wp\/v2\/pages\/8\/revisions"}],"predecessor-version":[{"id":201,"href":"https:\/\/icar.cnrs.fr\/membre\/mgroccia\/wp-json\/wp\/v2\/pages\/8\/revisions\/201"}],"wp:attachment":[{"href":"https:\/\/icar.cnrs.fr\/membre\/mgroccia\/wp-json\/wp\/v2\/media?parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}