EMOTION
1. Emotion
1.1 Psychology
From a psychological point of view, emotion is a syndrome, a temporary synthesis of different states:
— A psychic state of consciousness.
— A neurophysiological state, perceptible or not to the subject, such as the goosebumps associated with emotions such as fear or pleasure; or the adrenaline rush associated with anger.
— An altered self-presentation: changes in facial expression; of body posture; specific attitudes and emergence of actions, such as the flight reaction, characteristic of fear.
— A cognitive state, including a structured representation of reality.
The direction of causality between these components is discussed: common sense considers that the psychic state determines the neurophysiological and attitudinal changes, “he cries because he is sad”, but it can be shown that, if you put a subject in the physical state corresponding to a particular emotion, he will experience that emotion, so, literally, “he is sad because he cries” (James, 1884).
1.2 Basic emotions
The emotions listed by Aristotle in the Rhetoric and taken up by the Latin rhetoricians can be considered as the very first set of basic social emotions in the Western world, see. Pathos.
Modern philosophers propose their own lists of emotions; for example, Descartes claims that there are only six “simple and primitive” passions, “wonder, love, hate, desire, joy, and sadness. […] all the others are composed of some of these six or are species of them » ([1649], §69).
Psychologists define basic emotions as universal, independent of languages and cultures. The lists are variable and more or less developed; they generally include fear, anger, disgust, sadness, joy, surprise. Ekman (1999) enumerates the following ones: amusement, anger, contempt, contentment, disgust, embarrassment, excitement, fear, guilt, pride in achievement, relief, sadness – distress, satisfaction, sensory pleasure, and shame.
In theology, the major sins, pride, envy, anger, sadness (acedia: sloth, depression), avarice, gluttony, lust, can be seen as emotional leaks, considered as sins insofar as they are left uncontrolled.
1.2 Emotions and mood: Phasic and thymic
Moods are defined as stable or thymic affective states, whereas emotions are phasic, i.e; they develop in an event structure, according to a bell-shaped curve pattern, S. Calm.
1.3 Emotion and situation
An emotion is related to a situation. Causal theories of emotion analyze the situation as a stimulus that mechanically produces a response, which is the corresponding emotion. However, this view does not explain the possibility of emotional injunctions and disagreements about emotions (see below). In fact, emotion is not related to some kind of objective situation, but to a subjective perception of the situation; the stimulus is a situation under a certain description. In other words, the situation perceived as emotional is part of the emotion.
A distinction can be made between emotion as it is experienced and emotion as it is framed in the discourse of the experiencer, The relationship between experienced emotion and spoken emotion is analogous to that between time as an extra-linguistic reality, and tense, the form language gives to time. The object of rhetorical-argumentative treatment of emotion is emotion-tense, whereas psychology is interested in emotion-time.
2. Argumentative emotions
Serious argumentative situations are inherently emotional. Contradiction, conflictive or not, disrupts routine beliefs and plans of action. For example, having to decide what to do creates tension at the social, cognitive, and emotional levels. The arguer must confront an uncomfortable situation; relationships with the other, and social statuses are potentially threatened; representations of the everyday world are destabilized, as are personal identities based on these representations.
2.1 Emotions as issues in argumentative discourse
The situation associated with emotion is not a causal source of emotion; when it rains there is no argument as to whether or not one can get wet or not This negotiability of emotions is evidenced by the existence of emotional injunctions, such as,
“Time for Outrage!”(Stéphane Hessel)
“A Call for indignation” (Ignacio Ramonet)
“Indignant? We should be” (Simon Kuper).[1]
In one given situation, there can be huge discrepancies between the emotional states of the participants:
S1 — Let us weep, the father of the nation is dead!
S2 — Let’s rejoice, the tyrant is dead!
S1 -— I’m not afraid!
S2 — You should be.
An emotion is a point of view. In the second example, by refusing to agree with S1, S2 opens a debate, and must explain why he does not agree. S2 must reveal his or her reasons for being afraid, i.e. argue his feelings. Conversely, S1 is now at risk of being refuted by S2, and left with an inappropriate emotion.
As with argumentation in general, we can distinguish between cases in which emotion are argued explicitly, and those in which the argument is left implicit, and where we are left with an orientation toward a particular, unnamed, emotion. In both cases, the starting point of the emotion is in the participants’ perception of the situation. Ultimately, the formatted situation and the experienced em explicitlyotion form a compact whole. Therefore, in order to justify an emotion, one must give a detailed account of the situation including objective specifications of what happened and subjective emotional evaluations of the latter.
This formatting follows a relatively simple system of “emotional parameters”, that determine the nature and intensity of the emotion, depending on the more or less predictable and pleasant character of the situation, its origin, its distance, control, norms and values of the experiencer, etc. (Scherer [1984a], p. 107; 1984b).
2.2 The Rhetoric: How emotion are « done » and « undone »
Aristotle’s Rhetoric provides an excellent description of the thematic structure of speeches that construct or deconstruct specific emotions. The book is not about the psychology of emotions but rather a treatise on what discourse can do with emotions and how an emotional social thrust can be controlled, reconstructed or refuted. The question is not what anger or calm are, but how discourses that are likely to provoke or tranquilize anger are constructed. This is why, from an argumentative perspective, action predicates should be preferred to substantives to refer to emotions, for example:
— To anger vs. to cool down the anger;
— To inspire friendship vs. to break with friends,
— To frighten vs. to encourage;
— To shame vs. to despise other’s opinion and behave shamelessly
— To be grateful vs. to feel no obligation;
— To pity vs. to be indifferent;
— To incite rivalry, jealousy, envy vs. to incite a spirit of open competition.
Emotions belong in the realm of discursive action. In the Rhetoric, they are defined on the basis of typical scenarios, activated and developed by the speaker. This description of discursive strategies which generate emotions is one of the major achievements of rhetorical argumentation theory.
Anti-oriented discourses construct and refute anti-oriented emotions. Speech alters representations, thus arousing or appeasing, counterbalancing emotions, just as any point of view can be fought, turned back, or circumvented.
The examples of pity and anger can give an idea of these basic argumentative techniques.
2.2 Pitiful vs merciless
Moving to pity
A pities B when he considers that B is the victim of an undeserved evil; and when A is well aware that he may one day suffer from the same evil (id., 1385b10-15, RR, p. 291).
For A to feel compassion for B, the distance between A and B must be properly calibrated; one feels pity towards people who are similar and close to us.Generally speaking, the dimension of distance plays an essential role in the construction of emotion, not as an objective metric, but as a cultural, language-built notion.
It follows from this description that pity should not be considered an automatic feeling. In particular, according to the Rhetoric, those who have nothing to fear for themselves would be insensitive to pity. According to the theory of the moral character (mores) of the audience, the locally relevant construction of an emotion depends on a good analysis of the audience, see Ethos.
In oher words, to directly induce pity, B must show that he or she is suffering, and that he or she does not deserve to be, that the same thing could happen to you, etc., and then, of course, reinforce these substantial commonplaces. If pity is constructed according to such parameters, it is justified and judged to be decent and reasonable.
Rejecting misplaced pity — Walton has shown the lines along which the target can resist pity, in other words, he has shown how to construct a discourse against pity, which allows the target to remain calm, insensitive, and not yield to a movement of undue pity. This discourse is first constructed along a specific “information line”, about the situation. It is then subjected to a condition of relevance, pity can only be appealed to if the domain allows for personal involvement. For example, scientific discourse, which excludes ordinary subjectivity, does not allow appeals to pity, which are then considered “irrelevant” (Walton 1992, p. 27)
When relevant, the appeal to pity routinely functions in the general conflict of pro and contra arguments, concerning personal involvement. In the case of dismissed workers, for example, the appeal to compassion (ad misericordiam) is pitted against the need to preserve the interests of shareholders (ad pecuniam vs. ad misericordiam), to place the company in a good position in the market (ad rivalitatem vs. ad misericordiam), or to preserve the jobs of other workers in the company (ad misericordiam vs. ad misericordiam).
2.3 Anger: Getting angry and calming down
Argumentation theory has glorified the appeal to pity with a Latin name, ad misericordiam. Actually, from an argumentative point of view, there is no reason to distinguish pity from other emotions. All should be given the same lexical consideration, particularly the appeal to anger, ad iram, a highly arguable and argumentative emotion.
Make angry — Anger is a basic rhetorical emotion. If the speaker is willing to cause the public anger, he speaker will let free course to his feigned o real righteous indignation or holy anger, and will adopt a virtuous ethos. From the same virtuous attitude, the opponent will denounce rage, fury and hatred, S. Pathos.
Discursive representations play an essential role in these oppositions. In order to make A angry with B, the speaker has to show to his or her interlocutor A that:
— B despises, offends, mocks A; B is an obstacle to A‘s plans, wishes, and takes pleasure in it.
— A suffers and seeks revenge by harming B.
— A fantasizes about his future revenge, and enjoys it.
These are the basic lines of inflammatory speech. It should be noted that anger is not an atomic emotion, a crude response to the bite of a stimulus, but the complex result of an aggregate of emotions such as humiliation, contempt and even pleasure. The rationality or morality of anger depends on the proper construction of this sense of injustice. Anger can be fully virtuous, rational and emotional, if these distinctions have any meaning here.
Anger triggers the mechanisms of revenge. In a typical serial episode, the anger constructed and justified in the first sequence, is transformed, into an argument for subsequent action.
Anger is not hatred; anger can be rationally justified, hatred cannot; there is no acceptable reason for hatred. From a religious point of view, hate speech is a sin “Love, at least bear with one another patiently!”. The status of hate speech serves as an example of how social evaluation is achieved. Any citizen can legitimately comment on and take stock of anger speech, outrage speech and hate speech. Politicians and judges have the authority to make judgments about such matters. They can of course also seek the assistance of other parties they deem helpful, anthropologists, moralists, and, of course, linguists and logicians.
From anger back to calm — In order to calm an angry A, B‘s advocate will develop a calming discourse that concludes that A‘s expression of anger is poorly worded and badly constructed, and that this anger is unreasonable. He will argue that B’s behavior was not contemptuous, mocking, insulting, or outrageous. Rather it is the case the case that B was misunderstood; he or she was joking; the intention was not hostile; B behaves like this with people that he loves; B is sorry, and offers apologies and compensations; B has already been punished, etc. — and the reassuring discourse will conclude that all this happened a long time ago, and that the situation has changed, see Kettle
[1] Stéphane Hessel (2011). Time for Outrage! London: Charles Glass Books.
Ignacio Ramonet (2011). http://www.ipsnews.net/2011/02/a-call-to-outrage/(11-08-2017)
Simon Kuper (2011). Quoted after https://www.ft.com/content/280c9816-192c-11e0-9311-00144feab49a?mhq5j=e1 (11-08-2017)